Season 2 of Nathan Fielder’s The Rehearsal wastes no time pushing its experimental format even further—a feat evident by its second episode. Known for his boundary-defying work on The Curse and Nathan for You, Fielder continues to blur lines between reality and absurdist satire, and this installment is no exception.
The latest episode cleverly weaves in a callback to Nathan for You, Fielder’s earlier Comedy Central series where he devised hilariously outlandish strategies to rescue floundering businesses. A specific episode of that show, recently pulled from Paramount+’s catalog, becomes a surprising narrative linchpin here. While Season 2’s premiere zeroed in on aviation safety—a timely theme—Episode 2 pivots sharply, dissecting how the removal of that Nathan for You installment ties into The Rehearsal’s broader mission: equipping people to confront life’s complexities through meticulously staged scenarios.
True to Fielder’s signature style, the plot spirals into unpredictability, challenging viewers to question the ethics of his methods while marveling at the audacity of his vision.
The second season of The Rehearsal continues Nathan Fielder’s penchant for weaving real-world controversies into his surreal narratives. Building on the Season 2 premiere—which dissected aviation safety through the lens of co-pilots’ reluctance to challenge authority—Episode 2 pivots to a deeply personal conflict. Fielder draws a parallel between these cockpit communication failures and his own unresolved clash with Paramount over their decision to remove a controversial Nathan for You episode from streaming.
The focal point is Season 3, Episode 2 of Nathan for You, titled “Horseback Riding/Man Zone.” In this 2015 installment, Fielder, who is Jewish, partnered with a rabbi to launch Summit Ice, an outdoor apparel brand conceived as a rebuke to Taiga, a company that had published a tribute to a Holocaust denier in its catalog. The episode featured a provocative marketing stunt: a pop-up display littered with Nazi flags and a replica of Auschwitz’s “Arbeit Macht Frei” gate, intended to amplify Holocaust awareness through jarring satire.
Though initially framed as one of Fielder’s signature absurdist schemes, Summit Ice evolved into a legitimate philanthropic force. Following the episode’s release, celebrities like Jack Black and John Mayer donned the brand’s jackets, sparking viral attention. Sales surged past $300,000 within two months, with all proceeds directed to the Vancouver Holocaust Education Centre. In The Rehearsal, Fielder reflects on the project’s unexpected legacy, revealing that Summit Ice has since raised millions for Holocaust education—a outcome he calls his “proudest achievement,” even as Paramount’s removal of the episode underscores the precarious balance between provocative art and corporate sensitivities.
The Global Ripple Effect
Fielder discloses that Paramount+ Germany initiated the episode’s removal in late 2023, citing discomfort with content addressing antisemitism amid heightened tensions following the Israel-Hamas conflict. This regional decision, he claims, cascaded across Paramount’s European divisions and ultimately led to the episode’s global erasure—a phenomenon Fielder wryly attributes to the “ideological export” of Paramount+ Germany’s stance. To underscore the paradox, he highlights Paramount+’s platform demographics: a search at the time revealed 50 references to “Nazi,” 10 for “Hitler,” and none for “Judaism.” Though the episode remains absent from Paramount+, it’s accessible on Max or via Prime Video purchase.
Navigating the delicate corporate dynamics, Fielder enlists an actor to reenact his email exchanges with Paramount. The stakes, he admits, are complicated by his ongoing partnership with the streamer for The Curse, an unscripted drama awaiting renewal. “How I address this could tank my career,” he remarks, likening his predicament to the co-pilots’ fear of speaking up in the Season 2 premiere.
Satire as Spectacle
The conflict escalates absurdly as Fielder constructs a mock Nazi war room, complete with an actor clad in a regime-era uniform. The two debate in stilted German accents, with Fielder conceding Germany’s historical “overcompensation” while arguing that silencing Jewish creators risks distorting their moral stance. “We’re on the same side,” he insists, framing censorship as counterproductive to combating antisemitism.
The scene unravels when the actor abandons his role, openly skeptical of Fielder’s purported goal to “understand Paramount’s perspective.” Instead, he accuses Fielder of engineering a self-justifying narrative—one where the comedian inevitably emerges as the righteous party. The moment lays bare Fielder’s trademark tension: Is this earnest problem-solving, or a meticulously staged victory lap?
